Hailed as “nothing short of sensational” (Opera Magazine) and “a real creature of the stage,” (Opera News) soprano Sari Gruber has become a prized artist on U.S. and International stages alike. She garners praise for her revered performances as some of opera’s most beloved characters such as Susanna in Le nozze di Figaro, which she performed with New York City Opera, Opera Theatre of Saint Louis, Boston Lyric Opera, Pittsburgh Opera, Lyric Opera of Kansas City, Opera Pacific, Kentucky Opera, Austin Lyric Opera, and the Ongaku-Juku Opera Project under the baton of Seiji Ozawa. Also known for her portrayal of Puccini’s quintessential diva, Musetta in La bohème, she has performed the role with Opera Colorado, Opera Company of Philadelphia, Pittsburgh Opera, and Austin Lyric Opera.
Upcoming engagements include the role of Despina in Così fan tutte at Pittsburgh Opera and Händel’s Messiah at the Indy Chamber Orchestra. Favorite engagements from past seasons include her return to Pittsburgh Opera to sing Zerlina in a new production of Don Giovanni with Pittsburgh Opera; a return to Arizona Opera to sing Susanna in Le nozze di Figaro; Pamina in Die Zauberflöte with Opera Tampa; her role début as Leïla in Les pêcheurs de perles with Hawaii Opera Theater; and Mahler’s Symphony No. 4 with the Erie Chamber Philharmonic.
Noted international performances include Händel’s Samson staged for De Nederlandse Opera, and First Niece in Peter Grimes at both the Saito Kinen Festival (Japan) and Maggio Musicale di Firenze. Further career highlights include her Lyric Opera of Chicago début as Alexandra in Regina; Lisette in La rondine and Miss Hedgehog in the world-première of Tobias Picker’s The Fantastic Mr. Fox with Los Angeles Opera; and Anne Trulove in The Rake’s Progress and Helena in A Midsummer Night’s Dream with Lyric Opera of Kansas City.
An extremely sought-after and distinguished concert artist, Ms. Gruber has appeared with several esteemed symphony orchestras such as the Boston Symphony Orchestra, Houston Symphony Orchestra, Händel and Haydn Society, Chamber Music Society of Lincoln Center, Boston Baroque, New York’s Collegiate Chorale, Pacific Symphony, North Carolina Symphony, Omaha Symphony, Buffalo Philharmonic, Pittsburgh Symphony, Cincinnati Symphony Orchestra, San Jose Symphony, and the Philharmonia Baroque Orchestra. With these organizations and many more, she has performed as a soloist in such works as Messiah, Mahler’s Symphony No. 4, Bach’s Mass in B Minor, Handel’s Israel in Egypt, Haydn’s The Creation, Barber’s Knoxville: Summer of 1915, Mozart’s Requiem, Ino, Schubert’s Shepherd on the Rock, Villa-Lobos’ Bachianas Brasileiras #5, Vaughan Williams’s Serenade to Music, and with the New York City Ballet in Stravinsky’s Les noces.
Winner of the 2005 Naumburg Competition, Ms. Gruber is in demand as a recitalist with appearances at New York’s Alice Tully Hall, Weill Recital Hall at Carnegie, the 92nd Street Y, Miller Theater, Caramoor Festival, San Francisco Performances, Skaneateles Festival, as well in recital at Palm Springs, Carmel, Pensacola, Pittsburgh and Kansas. She has given recitals across the country under the auspices of the Marilyn Horne Foundation. Other credits include a pre-concert recital of Copland’s Poems of Emily Dickinson with the New York Philharmonic, solo recitals in Salt Lake City and Daytona Beach, at Skidmore College, and on San Francisco Opera’s Schwabacher Début Recital Series.
Her previous appearances with NYFOS include Evidence of Things Not Seen (Nov 1998), Songs of Peace and War (March 2003), We Open in Paris (May 2007), Love at the Crossroads (Nov 2007), A Bernstein/ Bolcom Celebration (Sept 2008), Where We Come From (Oct 2009), and Night & Day, USA (Feb 2011).